CLAY ROCHEMONT

Im curating a fantastic art/music/food event in July entitled DOS, along side La Carnita: Toronto’s best Taco Restaurant and One Method: A killer design house. This is the follow up to last year’s UNO.

The kicker this year is that La Carnita will be sharing the food stage with BIG STAR CHICAGO. Who else brings whole restaurants over the border for Toronto to experience? Nooooooobody! The theme behind DOS is -VS-, so we’ll have two restaurants going all out serving the best tacos imaginable. We’ll also have DJ Platurn -vs- Grandtheft on 4 turntables going track for track, and 40 of my favorite artists and friends sharing a theme of their choice, to create individual works that cohere within their idea. Some will collaborate, some will compete…It’s going to be amazing.

More info HERE.

Kicking off the 2013 exhibition lineup with two solo exhibitions, starting Friday April 19th at Hotel Ocho featuring one of my adolescent hero’s.

Joshua Davis – The Forty Thieves is A fine art exhibit (Part I) comprised of 20 pieces from NY-based artist, Joshua Davis, showcases his latest project; a collection of 24×60” hand-drawn compositions based on Davis’s internationally-renown algorithmic patterns and digital illustrations. Curated by Clay Rochemont (MI CHICA SABROSA, BTKDP, UNO), the event on April 19 kicks off on the much-anticipated FITC 2013 Toronto weekend; at OCHO (195 Spadina).

Opening Night doors are at 7PM; A Special Buyer Preview is by-invitation only via pr@spokeagency.com

THEN, we get it into party mode at Hashtag Gallery with HYDRO74.

Saturday, April 20, 2013, La Carnita presents HYDRO74: OUT TO STUD @ Hashtag Gallery.

Curated by Clay Rochemont, This fine art exhibit will showcase recent works by Internationally acclaimed designer, and FITC Toronto speaker Hydro74.

Shown at #Hashtag Gallery (801 Dundas Street West), the exhibition opening begins at 7PM and runs LATE.

La Carnita, the presenting sponsor will have some delicious surprises, so show early to avoid disappointment.

*Update: Ive been re-sending this out with the news of the horrible tragedy in Newtown, CT. Something has to happen here, and this concept is easy and could work. Lets make change.

I currently live in Toronto. I have for nearly 10 years, and if I can agree with one thing our mayor has said, its I think my city is safe. Safer than most, at least. I have never felt unsafe, or in harms way at any given hour walking through any neighbourhood here.

Thats untrue for some, they feel we’re in trouble, and I can agree with that as well. I think the city is headed in the wrong direction, and also politically being lead in the wrong direction.

Our Mayor, Rob FORD believes we need to cut back on social programs (Which my wife is employed in) and gear up on more police (Which my cousin is employed in). I couldn’t disagree more with him, as I feel the police should go through the Social Work college programs before police academy, but thats another post.

Heres my pitch:

Bullet Control. 

“Ammunition sales are going gangbusters in 2012, with bullet manufacturer Olin Corp. reporting a 13 percent increase in civilian sales this year so far”

We’ve all seen Chris Rock’s take on bullets, and I dont believe he’s too far off. But I have a different approach than this one.

Making a bullet extremely expensive would definitely halt gun use in general, but there are hunters, police, and people who feel they deserve to have firearms, and bullets, etc. I dont support hunting or owning a firearm, but its a variable in my analysis and Im trying to make everyone happy. Plus the theft of bullets, buying in underground rings, etc would come into play and you’d still have problems.

My solution is to alter the sale and MANUFACTURING  process of the bullet, and its similar to Mobile phone manufacturing, tracking and sale.

Think about your mobile phone, and how hard it is to steal one, or alter an account that isnt yours. They all have serial numbers, and are tracked by manufacturing plant, store, right to your door.

Each bullet sold should be similar. They should have a serial number, stamped into the inside of the rear casing so it cannot be rubbed off, and only used in forensic activity. That serial number, corresponds to the box it came from. If a box of bullets is 1000 bullets, then those 1000 bullets hold the same serial number, and that serial is also printed and tracked on the box, which is linked to the case, which is linked to the store it was sold to, which is linked to the manufacturing plant.

When a case is purchased by a retail outlet, These serials are tracked to that store, and in return when a customer buys a box of bullets, that serial number is assigned to that person, with ID and credit card. Just like your iPhone or Blackberry.

In the event that bullets are stolen, tracking will know which location they were taken from, or if they were unregistered and stolen from the manufacturer. Just like your iPhone, android or Blackberry.

This eliminates or hinders the re-sale of bullets, as all names are tracked through your ID. If a person commits a crime and fires a gun, the bullet is found, dismantled at the rear casing, and you have where it came from, which Country, state, city and store, time of purchase, type of payment and… Name/ID of purchaser. A great start for police questioning.

This is especially effective in gang shootings, or inner city crime as the ammunition is now attached to a buyer. Nobody wants to be responsible for death.

*Update: In the case of Adam Lanza and the Newtown Shooting, the guns were registered to his mother, Nancy Lanza legally. This scenario brought up a good point, especially since the gunman made himself apparent at the crime, and had the exit strategy of suicide. This Sandy Hook senario could only have been stopped by my concept if the over 100 rounds of bullets fired were purchased by Adam Himself. Showing a gun license (which should obtain all your gun registry information) when purchasing bullets  should only allow you to purchase bullets for guns you have registered to you. In this case and with my concept, Nancy Lanza would have been be the only one able to purchase ammunition for her fire arms, and she is responsible for these fire arms AND these bullets. In the mobile device world, I would not be able to call Verizon, or Bell and add on anything to anyones mobile account unless I either proved I was them, or was a secondary user on their account. This is similar, and based on this, Adam Lanza would not have been able to purchase ammunition for the guns used in the Sandy Hook elementary school shooting.

Its a simple alteration to the process of manufacturing bullets and purchasing them, and a great marketing plan to hinder the resale of bullets in all communities. A nice scare tactic that brings ownership to a very dangerous purchase, while still allowing Americans who feel its their right to own ammunition, and guns to do so.

I urge our  Canadian/US politicians to entertain this idea, and I hope Michael Moore sees this.

It can work.

Now, I’d consider Kanye West my guilty pleasure. I really respect his attention to detail in every project he pursues. He’s a perfectionist, extremely passionate, and isnt afraid to spend the money. In my opinion, him as a rapper is my least favorite personality.

Now, Here’s the video for No Church In The Wild, with Jay-Z and Frank Ocean. The power of the video is reminiscent of Jesus Walks, the power of the song in reminiscent of his track, Amazing. I think they way this music video is pooled is incredible, such raw power, and passion for what you believe in. And lyrics to boot.

Enjoy

In Early June, new restaurant and art destination La Carnita will be releasing a brand new ltd edition giclee by Sam Flores entitled ‘Flight Of The Bumblebee’. The print is taken from  the original 30×48″ painting of the same name, and was shown at UNO, a group art event in Toronto.

Sam Flores – Flight Of The Bumblebee

17×22″ total size – 15.25×20″ print size

Printed with archival inks on 100% Cotton cold press – 330gsm archival paper

edition of 200 – signed & numbered

$200.00 ea

Here’s video coverage of UNO, and Sam talking briefly about the painting.

Now, this can be fun, and was but keep i mind this was a TON of work. I tagged along with Matt Barnes as we shot for VLUP Magazine, a subsidiary of Hot Rod/Low Rider magazine in Los Angeles.

Check out the video to see how it played out, see the final shots here

By Cole Schreiber

The folks at La Carnita and Rdio have a great contest going on for our art show entitled UNO on April 13th in Toronto.

Whats up for grabs? A painting worth $4000.00 by Montreal based artist Johnny Bergeron aka Johnny Crap.

All you have to do is:

1. go to www.rdio.com and set up an account. (The trial is free for 7 days and requires no credit card) Sorry guys, this is Canada Only (Excluding Quebec)

2. Collaborate with the La Carnita UNO Playlist by adding a track or 2, which is HERE.  (Be sure to link your Facebook Or Twitter to Rdio when you sign up, so we know how to find you when you win)

The painting will be at UNO, so you can see it in person. The contest ends Sunday April 15th and the winner is announced Monday April 16th on the La Carnita twitter page. Follow @la_carnita

Now for the best part, here’s a picture of Johnny Crap with your painting. Good luck ladies and gents!

I recommend clicking the link and watching it full screen HD.

Directed by Randy Halverson: Original score by Bear McCreary (Battlestar Galactica, The Walking Dead, Eureka, etc)

Im proud to announce that I am the curator for an event in Toronto on April 13th featuring some of the worlds most popular street and fine artists, as well as fine food from toronto’s own La Carnita. The artists were given the theme “Dios De Los Muertos” and are asked to go big or go home.

Excited to see the how this turns out. Location to be announced soon, you’ll be happy.